Storytelling the chronicles of indonesian cinema through architecture

ABSTRACT:

The Indonesian film industry has undergone significant development over nearly a century. In recent years, its growth trend has shown a positive trajectory. According to a report by LPEM FEB UI, the industry is projected to grow at a compound annual growth rate (CAGR) of 6.13% during the 2023–2027 period. In 2020, the Head of the Indonesian Film Board (BPI) also emphasized that appreciation and preservation are crucial elements directly related to the overall growth of the industry. However, until now, there has been no representative facility that serves as a platform for appreciation, preservation, and education regarding the history of national cinema. The only existing archival facility, Sinematek Indonesia, is in inadequate condition and has yet to reach a broad audience. Based on these issues, this final project proposes the design of the National Film Museum of Indonesia as a public space that represents the historical journey of Indonesian cinema while fulfilling the need for education, preservation, and appreciation. A narrative architectural approach is employed using the intangible metaphor and spatial sequence method by Bica Adrian, which is based on the six phases of Indonesian film development as described by Garin Nugroho in his book Kritik dan Paradoks Perfilman Indonesia. The design method includes literature studies, field observations, and precedent studies of international film museums. The final design presents a symbolic and iconic architectural form, along with thematic spaces that not only deliver a chronological narrative of history but also evoke emotional engagement from visitors through the exploration of elements such as lighting, materials, and spatial circulation. The museum is expected to become both a cultural landmark and a center for education and preservation of national cinema.
ABSTRAK:
ndustri perfilman Indonesia telah mengalami perkembangan signifikan selama hampir satuabad. Dalam beberapa tahun terakhir, tren pertumbuhannya menunjukkan arah yangpositif. Menurut laporan LPEM FEB UI, industri ini diproyeksikan tumbuh dengan lajupertumbuhan tahunan gabungan (CAGR) sebesar 6,13% pada periode 2023–2027. KepalaBadan Perfilman Indonesia (BPI) pada tahun 2020 juga menekankan bahwa aspek apresiasidan preservasi film memiliki keterkaitan erat dengan pertumbuhan industri secarakeseluruhan. Namun demikian, hingga saat ini belum tersedia fasilitas yang representatifsebagai wadah apresiasi, pelestarian, dan edukasi sejarah perfilman nasional. Satu-satunyafasilitas arsip yang ada, yakni Sinematek Indonesia, berada dalam kondisi kurang layak danbelum mampu menjangkau masyarakat secara luas. Berdasarkan permasalahan tersebut,tugas akhir ini merancang Museum Film Nasional Indonesia sebagai ruang publik yangmerepresentasikan perjalanan sejarah perfilman Indonesia, sekaligus menjawab kebutuhanakan ruang edukasi, preservasi, dan apresiasi. Pendekatan arsitektur naratif digunakandengan menerapkan metode intangible metaphor dan spatial sequence oleh Bica Adrianyang didasarkan pada enam babak perkembangan perfilman Indonesia sebagaimanadikemukakan oleh Garin Nugroho dalam bukunya Kritik dan Paradoks Perfilman Indonesia.Metode perancangan mencakup studi literatur, observasi lapangan, dan studi presedenterhadap museum film internasional. Hasil rancangan menghadirkan bentuk arsitekturalyang simbolis dan ikonik, disertai ruang-ruang tematik yang tidak hanya menyampaikannarasi sejarah secara kronologis, tetapi juga membangun keterlibatan emosionalpengunjung melalui eksplorasi elemen seperti pencahayaan, material, dan sirkulasi ruang.Museum ini diharapkan menjadi penanda budaya sekaligus pusat edukasi dan pelestariansinema nasional.
مستخلص البحث:

اﻟﺴﻨﻮات وﻓﻲ .اﻟﺰﻣﺎن ﻣﻦ ﻗﺮن ﻣﻦ ﻳﻘﺮب ﻣﺎ ﻣﺪار ﻋلى ﻛﺒﻴﺮًا ﺗﻄﻮرًا إﻧﺪوﻧﻴﺴﻴﺎ ﻓﻲ اﻟﺴﻴﻨﻤﺎ ﺻﻨﺎﻋﺔ ﺷﻬﺪتإﻧﺪوﻧﻴﺴﻴﺎ ﺟﺎﻣﻌﺔ ﻓﻲ اﻟﻜﻠﻲ اﻻﻗﺘﺼﺎد أﺑﺤﺎث وﺣﺪة ﻋﻦ ﺻﺎدر ﻟﺘﻘﺮﻳﺮ ووﻓﻘًﺎ .إﻳﺠﺎﺑﻴًﺎ ﻣﺴﺎرًا اﻟﻨﻤﻮ اﺗﺠﺎﻫﺎت أﻇﻬﺮت(LPEM FEB UI)، ﻣﺮﻛﺐ ﺳﻨﻮي ﻧﻤﻮ ﺑﻤﻌﺪل اﻟﻘﻄﺎع ﻫﺬا ﻳﻨﻤﻮ أن اﻟﻤﺘﻮﻗﻊ ﻣﻦ (CAGR) اﻟﻔﺘﺮة ﺧﻼل %6.13 ﻳﺒﻠﻎاﻹﻧﺪوﻧﻴﺴﻴﺔ اﻟﺴﻴﻨﻤﺎ ﻫﻴﺌﺔ رﺋﻴﺲ أﻛﺪ ﻛﻤﺎ .2027 إلى 2023 ﻣﻦ (BPI) ﻫﻤﺎ واﻟﺤﻔﻆ اﻟﺘﻘﺪﻳﺮ أن ﻋلى 2020 ﻋﺎم ﻓﻲﻋﺎم ﺑﺸﻜﻞ اﻟﺼﻨﺎﻋﺔ ﺑﻨﻤﻮ وﺛﻴﻘًﺎ ارﺗﺒﺎﻃًﺎ ﻣﺘﺮاﺑﻄﺎن ﻋﻨﺼﺮان.اﻟﻮﺣﻴﺪ اﻟﻤﺮﻓﻖ إن .اﻟﻮﻃﻨﻴﺔ اﻟﺴﻴﻨﻤﺎ ﺗﺎرﻳﺦ وﺗﻌﻠﻴﻢ وﺣﻔﻆ ﺑﺘﻘﺪﻳﺮ ﺗُﻌﻨﻰ ﺗﻤﺜﻠﻴﺔ ﻣﻨﺸﺄة اﻵن ﺣﺘﻰ ﺗﻮﺟﺪ ﻻ ذﻟﻚ، وﻣﻊاﻟﺠﻤﻬﻮر إلى اﻟﻮﺻﻮل ﻣﻦ ﺑﻌﺪ ﻳﺘﻤﻜﻦ وﻟﻢ ﻣﻼﺋﻤﺔ ﻏﻴﺮ أوﺿﺎع ﻣﻦ ﻳﻌﺎﻧﻲ ،"إﻧﺪوﻧﻴﺴﻴﺎ ﺳﻴﻨﻤﺎﺗﻴﻚ" وﻫﻮ ﺣﺎﻟﻴﺎً، اﻟﻘﺎﺋﻢواﺳﻊ ﺑﺸﻜﻞ.ًﻓﻀﺎء ﻟﻴﻜﻮن اﻹﻧﺪوﻧﻴﺴﻲ اﻟﻮﻃﻨﻲ اﻟﺴﻴﻨﻤﺎ ﻣﺘﺤﻒ ﺗﺼﻤﻴﻢ اﻟﻨﻬﺎﺋﻲ اﻟﻤﺸﺮوع ﻫﺬا ﻳﻘﺘﺮح اﻟﻤﺸﻜﻼت، ﻫﺬه ﻋلى ً ﺑﻨﺎء.واﻟﺘﻘﺪﻳﺮ واﻟﺤﻔﻆ، اﻟﺘﻌﻠﻴﻢ، إلى اﻟﺤﺎﺟﺔ ذاﺗﻪ اﻟﻮﻗﺖ ﻓﻲ وﻳُﻠﺒﻲ اﻹﻧﺪوﻧﻴﺴﻴﺔ، ﻟﻠﺴﻴﻨﻤﺎ اﻟﺘﺎرﻳﺨﻴﺔ اﻟﺮﺣﻠﺔ ﻳُﺠﺴّﺪ ﻋﺎﻣًﺎاﻟﺬي اﻟﻔﻀﺎء وﺗﺴﻠﺴﻞ اﻟﻤﻠﻤﻮﺳﺔ ﻏﻴﺮ اﻻﺳﺘﻌﺎرة أﺳﻠﻮب ﺗﻄﺒﻴﻖ ﺧﻼل ﻣﻦ اﻟﺴﺮدﻳﺔ اﻟﻌﻤﺎرة ﻣﻨﻬﺞ ﺗﺒﻨّﻲ ﺗﻢ وﻗﺪﻛﺘﺎﺑﻪ ﻓﻲ ﻧﻮﺟﺮوﻫﻮ ﻏﺎرﻳﻦ أوﺿﺤﻬﺎ ﻛﻤﺎ اﻹﻧﺪوﻧﻴﺴﻴﺔ اﻟﺴﻴﻨﻤﺎ ﻟﺘﻄﻮر اﻟﺴﺖ اﻟﻤﺮاﺣﻞ إلى اﺳﺘﻨﺎدًا أدرﻳﺎن، ﺑﻴﻜﺎ وﺿﻌﻪاﻹﻧﺪوﻧﻴﺴﻴﺔ اﻟﺴﻴﻨﻤﺎ وﻣﻔﺎرﻗﺎت ﻧﻘﺪ.وﻳﻌﺮض .ﻋﺎﻟﻤﻴﺔ ﺳﻴﻨﻤﺎ ﻟﻤﺘﺎﺣﻒ ﻣﻘﺎرﻧﺔ ودراﺳﺎت ﻣﻴﺪاﻧﻴﺔ، وﻣﻼﺣﻈﺎت ﻧﻈﺮﻳﺔ، دراﺳﺎت اﻟﺘﺼﻤﻴﻢ ﻣﻨﻬﺠﻴﺔ ﺗﺸﻤﻞاﻟﺘﺎرﻳﺨﻲ اﻟﺴﺮد ﻓﻘﻂ ﺗﺮوي ﻻ ﻣﻮﺿﻮﻋﻴﺔ ﻣﺴﺎﺣﺎت إلى ﺑﺎﻹﺿﺎﻓﺔ وأﻳﻘﻮﻧﻴًﺎ، رﻣﺰﻳًﺎ ﻣﻌﻤﺎرﻳًﺎ ً ﺷﻜﻼ اﻟﻨﻬﺎﺋﻲ اﻟﺘﺼﻤﻴﻢوﺗﻮزﻳﻊ واﻟﻤﻮاد، اﻹﺿﺎءة، ﻣﺜﻞ ﻋﻨﺎﺻﺮ اﺳﺘﻜﺸﺎف ﺧﻼل ﻣﻦ اﻟﺰوار ﻣﻊ ﻋﺎﻃﻔﻴًﺎ ً ﺗﻔﺎﻋﻼ أﻳﻀًﺎ ﺗﺒﻨﻲ ﺑﻞ زﻣﻨﻲ، ﺑﺸﻜﻞاﻟﻮﻃﻨﻴﺔ اﻟﺴﻴﻨﻤﺎ ﻋلى واﻟﺤﻔﺎظ ﻟﻠﺘﻌﻠﻴﻢ وﻣﺮﻛﺰًا ﺛﻘﺎﻓﻴﺔ ﻋﻼﻣﺔ اﻟﻤﺘﺤﻒ ﻳُﺼﺒﺢ أن اﻟﻤﺘﻮﻗﻊ وﻣﻦ .اﻟﻔﻀﺎء.